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New Recording: Interwoven Soundscapes II for Flute and Fixed Media
I’m pleased to share a recording of my recent piece, Interwoven Soundscapes II for flute and fixed media (2025).
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Concrete Poem No. 1
Concrete Poem No. 1 is an exploration of language as a physical, unstable force. Eight words — fragments of thought, incomplete sentences, suspended meanings — drift across the screen without resolution or destination. They can form a sentence, but never the same one twice. Each encounter with the poem is unique: the words collide, separate, and realign into endless possible readings. The piece questions the very act of reading: when words refuse to stay still, which meaning do you choose? Drawn from the vocabulary of absence and contingency — if, when, was, dead — the poem exists in the space between language and silence, between a thought that almost forms and one that dissolves before it arrives.
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New Publication: Tracing Poetic Atmospheres in the Computer Music Journal
I am pleased to share that my article, Tracing Poetic Atmospheres: Multichannel Electroacoustic Soundscapes and Their Cultural Dimensions, has been published in the Computer Music Journal. This research explores the concept of “atmosphere” within multichannel soundscapes, examining how these immersive environments function as spaces that are felt and inhabited by the listener.
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